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	<title>Spirit of the Water &#187; Richard Sinclair</title>
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	<description>The Musical Genius of Camel</description>
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		<title>Richard Sinclair Bio</title>
		<link>http://spiritofthewater.com/2008/10/richard-sinclair-bio/</link>
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		<pubDate>Sun, 19 Oct 2008 22:03:26 +0000</pubDate>
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				<category><![CDATA[Richard Sinclair]]></category>
		<category><![CDATA[The Band]]></category>

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		<description><![CDATA[Richard S Sinclair (born 6 June 1948 in Canterbury, England) is a progressive rock bassist, guitarist and vocalist who has been a member of several bands of the Canterbury scene.
He played guitar (and occasionally sang) in the root Canterbury band Wilde Flowers before going on to be a founding member of Caravan, switching to bass [...]]]></description>
			<content:encoded><![CDATA[<p>Richard S Sinclair (born 6 June 1948 in Canterbury, England) is a progressive rock bassist, guitarist and vocalist who has been a member of several bands of the Canterbury scene.</p>
<p>He played guitar (and occasionally sang) in the root Canterbury band Wilde Flowers before going on to be a founding member of Caravan, switching to bass guitar and sharing lead vocals with Pye Hastings. His compositional output came to the fore on the band&#8217;s third album, the classic In The Land Of Grey And Pink, on which he wrote and sang &#8220;Golf Girl&#8221;, the title track and the epic &#8220;Winter Wine&#8221;. Sinclair left Caravan in 1972 to form Hatfield and the North with ex-Delivery members Phil Miller and Pip Pyle, lending his distinctive, quintessentially English voice and increasingly impressive bass playing skills to their two albums, and writing some of their best-loved songs, &#8220;Share It&#8221;, &#8220;Let&#8217;s Eat (Real Soon)&#8221; (both with lyrics by Pip Pyle) and &#8220;Halfway Between Heaven And Earth&#8221;. After Hatfield broke up in 1975, Sinclair moved back to Canterbury, starting a carpentry/kitchen-fitting business while maintaining low-key musical activities, often under the humorous moniker Sinclair &amp; The South. He came out of this semi-retirement in 1977 when he was asked by Camel to replace their departed bass player. This stint lasted for two studio albums and half of the live set A Live Record. His departure in 1979 marked the end of Sinclair&#8217;s career in musical &#8220;first league&#8221;.</p>
<p>In the 1980s, his activities were sporadic. He recorded a collaborative album with Phil Miller and Alan Gowen, Before A Word Is Said, in 1981, reunited with Caravan for the 1982 reunion effort Back To Front, sang on one track of National Health&#8217;s swansong D.S. Al Coda (also 1982), and joined Phil Miller&#8217;s In Cahoots, for a residency at the London jazz club the Bull &amp; Gate and, in 1984, a European tour. Sadly, he left before the band undertook its first recordings. His voice or bass were barely heard until the end of the decade, save for a low-key Dutch tour in 1986 and a guest spot of Phil Miller&#8217;s album Split Seconds (1989). In 1990, there was a one-off reformation of Hatfield and the North and a long-term one of the original Caravan line-up in 1990-91.</p>
<p>At this point, Sinclair formed his own group Caravan Of Dreams, with ex-Camel drummer Andy Ward and former Hatfield roadie Rick Biddulph on bass (live gigs only), plus occasional participation from cousin Dave Sinclair and sax/flautist Jimmy Hastings. The project&#8217;s eponymous album came out in 1992. Sinclair&#8217;s next effort, R.S.V.P. (1994), was recorded with a fluctuating line-up including Pip Pyle, Tony Coe and former Happy The Man keyboardist Kit Watkins. Regular touring stopped in 1996 as Sinclair moved to the Netherlands for a few years. He reappeared in 2002 with occasional concerts and archival live releases, but the most exposure came with the reunion of Hatfield and the North in 2005-06, which sadly came to an abrupt end when Pip Pyle died in August 2006. Shortly after that, he left his longtime Canterbury home to move permanently to Italy.</p>
<p>Sinclair has always wanted to explore the boundaries in music rather than stay in one static form. This is a primary reason for him not staying in one particular band for a great length.</p>
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